Tomorrow or Never by Maria Martin

When you purchase the book Tomorrow or Never, you get three historical novels in one, which together make up the saga of five years in the life of a young woman living in unusual times.  The 700+ pages are divided into three parts, three phases in the life of the protagonist, Vitessa, an ambitious, clever young woman from the poorest region of Italy, who comes to adulthood just as Mussolini comes to power in Italy in the 1930s.

Mussolini leading his black-shirted thugs

Part One is set in Fasinella, a rural village in the Basilicata (Lucania) region of southern Italy.  We meet Vitessa and her friends, family and fellow villagers.  Mussolini's socialists are in power, encouraging little-Mussolinis to dominate and exploit small communities all over Italy.  That happens in Fasinella, too, which is home to several internal detainees, political prisoners, for several years.

Fasinella is described as:

Encircled by the craggy hills and plummeting ravines of the deep south of Italy, Fasinella was largely cut off from the wider world, and there seemed no other future besides the withering cycle of poverty, hardship and hunger that had endured for centuries.  An ancestor from the 1530s would find little different in the 1930s.

Matera, Basilicata

Part Two takes place in Rome, the busy political capital of Italy.  Vitessa has escaped Fasinella and is enjoying some freedom to learn and live and love without restrictions.  Mussolini's empire-building dreams, and alliance with Fascist Germany and Spain intrude on Vitessa's life in unexpected ways.  In one way the wars bring her more freedom, and in another way they rob her of her first love.

The title of the book, Tomorrow or Never, comes from the southern dialect word for "tomorrow":  crai.  The word, in popular usage, has come to mean two things:  "the next day" and "never".  It is a bit like the Italian word for "tomorrow", "domani", and like the Spanish word "manana".  When the word is repeated a few times in sequence, it signifies something that will probably never come to pass:  domani, domani, domani, or manana, manana, manana.

A young woman at a desk in Rome, Italy, in the 1930s

Part Three of the saga is set in the business capital of Italy, Milan.  Vitessa continues to forge an independent life for herself, and to learn and to grow.  Mussolini's plans for Italy create havoc for the country's businesses, who are torn between doing business with the country's allies and the country's potential future enemies.  Vitessa is torn between two loves and two possible futures, too.

The author uses Vitessa's brother to show what it was like to have a devoted follower of Mussolini in one's household.  As the oldest male member of the family, he holds sway over the women in the household much the way ancient Roman heads of family held sway even in questions of life and death over people in his home.  This is no coincidence.  Mussolini looked to Augustus, the first Roman Emperor, for inspiration:  the monumental building programs, the wars of expansion, the laws, the police....

Mussolini's stadium, built along ancient Roman lines

I accepted a review copy of this book because it was set in a controversial era in Italy's history.  Just like the other European countries, Italy has information and misinformation circulating about the Mussolini era, because many former supporters of the dictator have difficulty accepting any criticisms of their hero. 

The truth is that Mussolini was a militant socialist (a Fascist), an egomaniacal sociopath, a dictator, a leader who authorized mass-murder of unarmed peasants in Ethiopia and Somalia in order to steal land and resources, an oppressor of women and children and Jews, and the instigator of the torture and murder of Italians by his secret police and his black-shirted thugs.  Unlike Mussolini's supporters, I do not believe that economic growth can excuse any of these things.

The Italy of Mussolini

The author presents the politics for what it is, repressive and war-mongering, and concentrates most of the story on Vitessa's life.  The three parts of the book read like a TV mini-series.  The five most formative years in Vitessa's life are described, against the colorful and dangerous backdrop.  There is a large cast of characters whom we follow through the years.  Fact and fiction combine in this novel to entertaining effect.

The third-person narration allows us inside the minds of many of the characters.  The author teases us at times with forebodings and hints of things to come.  The writing is polished and at times prosaic.  The story moves along at a quick pace, but not so quick that we lose the sense of place and time. 

The story is all Vitessa's, a young woman who shines with intelligence, drive, a thirst for knowledge, goodness and a wicked sense of humor.  A series of mentors take Vitessa under their wing to teach and guide her way to success.  Misogynistic repression is not the only sort of repression Vitessa must face.  The bigotries in Italy against those from the south of the country, meridionali, are just as strong, and just as limiting.

A trade show display in Milan, Italy, in the 1930s

We get inside the mind of Italy's many exiles, those exiled for political reasons, and those exiled for economic reasons:

I am glad I will be leaving Italy.  It costs too much to lover her.

Sadly, what was true during Mussolini's repression is also true for many of the emigrants from Italy today, due to economic and political stagnation, as well as corruption and continuing bigotries.

The author provides a wonderful list of books for further reading, and some Book Group discussion points, as well.  My only reservation is the ending, which I do not feel wraps up all the story lines I wanted to see wrapped up.  Perhaps the author wishes to leave things up to our imagining?  Or perhaps there is another book on the way about the later life of Vitessa? 

If you are interested in this era in Italy's history, and would like to follow the life of an ambitious, intelligent young woman through a mini-series of events, I highly recommend Tomorrow or Never.

Italian Fascist propaganda poster advocating the fire bombing of London during WWII

From the book's description:

1930s Fascist Italy was a particularly oppressive society for women.  Vitessa, a young woman from the poverty-stricken south with ideas ahead of her time, refuses to let the triple evils of tradition, prejudice and Fascism crush her dream of a better life.

Will the chance arrival of a political exile from the affluent north help to change her destiny?  Will a desperate deception be a help or a hindrance to her plans?  Will the struggle to find her own way in life be made even more difficult as Mussolini leads the country towards war?

Fascist Italian Girls' Choir, singing, something 1930s Italian woman were allowed to do besides having babies

Here is a direct link to the book at Amazon.com

Please visit the author's website.

Here is 3 minutes of Lucania/Basilicata with many images from the era described in this book, accompanied by the classic emigrant's song by Domenico Modugno:  Amara Terra Mia (My Bitter Homeland).

This review is by Candida Martinelli, of Candida Martinelli's Italophile Site, and the author of the cozy-murder-mystery novel AN EXTRA VIRGIN PRESSING MURDER, and the young-adult/adult mystery novel series THE VIOLET STRANGE MYSTERIES the first book of which is VIOLET'S PROBLEM.

Gifts for Ugo by Joseph C. Sciarillo

Gifts for Ugo is a historical novel set in a fictional town in southern Italy, in the poorest village of the poorest region of struggling Italy, Basilicata, circa 1908.  This richly imagined, soulful story is told in a direct, natural style that reminds me of the late Morris L. West's beautiful prose in his novel The Shoes of the Fisherman, and even more so in his novel The Devil's Advocate.  As with those novels, a reader needs a quiet mind and quiet surroundings to fully immerse oneself in the world the writer recreates.

Like West, the author of Gifts for Ugo has a talent for creating characters that feel real, such as the priest of Fignola, the hill-town where Pastor Ugo Sacco has served for twenty-two years.  Father Ugo is a bitter, angry, frustrated man.  His powerful ambitions were thwarted early in life, and his oversized ego was battered and bruised.  This has made the man difficult to live with, let alone confess to, and submit to his sermons and benedictions.  His parishioners say that Father Sacco is:

...as the bitterroots, necessary for the healing but unpleasant to taste.

Father Ugo Sacco has only one friend in the village, Tommaso, a childhood friend who was exiled to Fignola, too, as punishment, but who has found a place there, helping the simple people cope with some of the complexities of life.  Tommaso advises his friend that:

Holding onto failed dreams only makes you bitter.

But things only start to change when a priest is sent to assist Father Sacco:  Padre Colio.  The diminutive priest is a wise, deeply spiritual, compassionate man.  His example brings about a gradual change in Father Ugo Sacco, creating many poignant moments in this story of pastoral life in a dusty, poor village, that is nonetheless rich with heart, but also in great need of spiritual guidance.

A lovely touch by the author is an earthquake, common in that part of Italy, that occurs halfway through the novel.  The earthquake becomes a physical manifestation of the turning point for Father Ugo.  The man's bitter mindset is shaken just like the church and village are.  The novel, from that point on, charts Father Ugo's journey to loving humanity.  Along the way he discovers humility, devotion, and a spirituality that he never dreamed he was capable of.

The author shows a deep psychological understanding of his characters.  In fact, I can easily state that the novel is a spiritual drama combined with character studies of a complex flawed man, and of a complex saintly man.  The interactions of the two men, and their work with the villagers, is rich with poignancy, provoking tears at times from this reader.

The ruins of a Basilicatan hill-town

Throughout the novel, the author treats us to lovely turns of phrase that seem to come straight from the mouths of the hill-people, such as:

Ugo will set his mind and not realize that Rocco arranged his thoughts.

There are many other phrases in the deceptively simple prose that seem more poetry than prose, but I won't quote any more because I don't want to rob the reader of the discovery and enjoyment of these nuggets within the context of the story.  The dialog of all the characters, especially the villagers, sounds like Italian but is always in English, a difficult thing to achieve, but something that adds greatly to the verisimilitude of the story.

The chapters are titled, and read, as if they were episodes in a series about the lives of villagers and their spiritual guides.  However, each chapter serves a purpose, moving the story forward, until more than one person finds peace and salvation for his soul after decades of pain and torment.

Matera steps

The book has just undergone a very professional and thorough edit, so it is clean of any typos or errors.  The only thing that I think would improve the book is a new cover design.  The minimalist design it has now is unique, but perhaps not eye-catching enough for many readers, who see only thumbnail images next to e-books on-line. But really, I cannot praise Gifts for Ugo highly enough!

From the book's description:

Family wealth and status demand much from Ugo Sacco. His father sends him to Italy’s finest schools before he enters the seminary where noble blood and a sharp mind make him stand out.  Ugo believes the Church will someday make him Cardinal or Bishop.  He believes that fate chose him to lead. He also believes that he will not fail.

First of his peers, the church gives him his own parish in a remote village Fignola, Province Potenza.  Farmers and artisans, the earthy Fignolans, warmly welcome the refined priest.  Ugo soon resents his early success. In the village, he finds too much goat dung and too many ignorant people, and nothing of value for him.  He serves Fignola for more than twenty years without making a single friend. 

The story begins when the bishop sends a long overdue successor to the former assistant lost to a fever two years before.

Gifts for Ugo is available as a Kindle e-book from Amazon.com:

Here is a three minute video postcard of present-day Basilicata, with a commentary by film director Francis Ford Coppola, who is Italian-American born of Basilicatan stock:

The author, Joseph C. Sciarillo, is on Facebook.


This review is by Candida Martinelli, of Candida Martinelli's Italophile Site, and the author of the cozy-murder-mystery novel AN EXTRA VIRGIN PRESSING MURDER, and the young-adult/adult mystery novel series THE VIOLET STRANGE MYSTERIES the first book of which is VIOLET'S PROBLEM.