Showing posts with label Lazio. Show all posts
Showing posts with label Lazio. Show all posts

Thursday, February 26, 2015

No Place Like Rome (Lexi Carmichael Mystery) by Julie Moffett





If you are fan of Kathy Reichs's Bones series, you may enjoy this younger version, of sorts.  Lexi Carmichael of the Lexi Carmichael Mystery Series, is not a mature Asperger medical examiner like Bones, she's a twenty-five-year-old Asperger computer security expert.
Part of the reason I loved hacking was that I could lose all connection to the real world.  Sometimes I had trouble navigating the real world.  My virtual world was my zen, my center.
Here is fun 30 second intro to the series and to the character of Lexi Carmichael:




The author inserts much humor into her books, and a lot of it comes from Lexi's social misunderstandings, which can lead to physical altercations.  When the series begins, Lexi works for the U.S. government's National Security Agency.  As the series progresses, she leaves the NSA for the private sector.





I've read only one book in the series, No Place Like Rome, the book that brings Lexi to Italy, along with a hot-stuff Italian-American special agent nicknamed Slash:  "Mystery and enigma all rolled into one".  Luckily Slash, a recurring series character, is loaded with bucks, so the trip is first-class all the way.
We're just a three-minute walk to the Vatican...a beautiful suite...you could see St. Peter's Basilica from the window.
Italy's touchy-feely culture mystifies Lexi.  This is shown to the extreme when she meets Slash's Italian grandmother.  Italy's often overly demonstrative emotions are actually a good thing for an Asperger.  Lots more clues are present for them to pick up on what is going on behind the facial masks they see.
...there was an awful lot of kissing going on lately.  Hands, cheeks and mouth.  I guess it was some kid of Italian thing.  Seeing as how I would be in Italy for an extended period of time, I supposed I'd better get used to
it, although it sure did confuse the heck out of me.





Lexi is not the swiftest in deciphering people, so she is unaware of just how much the men in her life adore her.  Yes, I said MEN.  They find her social awkwardness endearing.  The colloquial, slangy first person monologue/narration drops hints for us to pick up about this, but most of them are over the head of clueless protagonist Lexi.
I'm a geek first-class.  My name is Lexi Carmichael and I'm a mild-mannered twenty-five-year-old...[with a] new mantra in my life--accept and embrace change...
Lexi is more than an Asperger computer geek, she is also mildly neurotic.  To help smooth her way in life, she relies heavily on her best female friend, Basia.
...I was beyond thrilled Basia would be coming.  She was my eyes and ears in social situations and the way things were headed with Slash, I was desperate for her guidance.






The book presents the problem/mystery well, and includes us in much of the computer security work, leading up to an exciting finish.  There are a few typos, some repetitiveness, and a bit of playing fast and loose with history, all things that may be fixed in later editions. 

The series is a quick, light read, with plenty of laughs, and with an appeal that may be greatest for young/new adult readers.  There are six books to-date, with more in the works.

The books in the Lexi Carmichael Mystery Series:
  • No Money Down (novella prequel to series)
  • No One Lives Twice
  • No One To Trust
  • No Place Like Rome
  • No Biz Like Showbiz
  • No Test for the Wicked

Here are direct links to all the books in the series at Amazon.com:





The author also has an historical romance series in print.  Here are links to those books, in case you are interested.





Please visit the series' website, or the author's website.  She is present on Facebook and Twitter.




This review is by Candida Martinelli, of Candida Martinelli's Italophile Site, and the author of the cozy-murder-mystery novel AN EXTRA VIRGIN PRESSING MURDER, and the young-adult/adult mystery novel series THE VIOLET STRANGE MYSTERIES the first book of which is VIOLET'S PROBLEM.



Thursday, May 29, 2014

Warburg in Rome by James Carroll




Warburg in Rome is a historical novel that presents a litany of evil, shame and suffering:  the evil of sadism fueled by greed, hatred and lust; the shame of those who could have acted against the evil sooner and more forcefully; and the suffering of pretty much everyone.  If you are looking for a cheery read, do not look here.  If you are looking for the details of some of the history of WWII and post-WWII coming to life, at least a bit, Warburg in Rome is a book that can offer you that.



The Sant'Angelo Bridge with St. Peter's in the background


At the beginning of the book, David Warburg, the main protagonist of Warburg in Rome, is given the War Refugee Board's posting abroad, in Rome, Italy.  The War Refugee Board, set up in January 1944 by special order of the U.S. President, worked with private money to help rescue as many victims of Hitler's work/death camps as possible. 

The War Refugee Board's few employees funded resistance groups, diplomats from neutral countries, and organizations set up specifically to help the Jewish victims of Hitler's Final Solution.  Certainly set up too late to help the millions of victims in Europe, the Board did manage to save up to 200,000 Jews and thousands of non-Jews from certain death.

The author mixes fact and fiction in Warburg in Rome.  As with all historical novels, it helps to know some of the history before reading the book, to better appreciate the facts and to better identify the fiction.  I did notice some historical errors, but perhaps they were literary distortions?  I read up on the history before and during my reading of Warburg in Rome.



FDR's second-term cabinet, including Henry Morgenthau, Jr., Secretary of the Treasury, father of the War Refugee Board


Much of the early part of the book, which I received as a review-copy, consists of flashback accounts of the events that precede the liberation of Rome.  The post liberation period in Rome is where most of the book's story takes place.  The flashback sequences continue throughout the book.

Part One of Warburg in Rome describes Rome in the immediate aftermath of its liberation, and we are given an idea of the enormous scale of the relief effort needed to feed, house and clothe the people left in war-ravaged Rome, Italy, only one of the many European cities that had to cope with post war refugees. 



FDR announcing the fall of Rome to Allied forces


The liberation of Rome from the forces of Nazi Germany held the tinge of shame for those Italians who had cheered on Mussolini and his Fascist party.  Italy's liberation was also a type of occupation, just like Germany's was, later, despite the King of Italy having reversed the defeated Fascist government's alliance with Nazi Germany. 

Italy, before and during World War II was the scene of a low-level civil war, between the Fascist forces, the Communist opposition, and the various other affiliated groups.  Resistance fighters of all affiliations left blood in their wakes.

Described within the novel is the shameful history of anti-Semitism in the ancient Catholic church, and thus in Italy, the country in the world most influenced by the Catholic church, whose home is in Rome's Vatican City.



City View and Monumento Vittorio Emanuele Il, The Vatican, Rome, Italy, showing the city-state within the city


The protagonist, David Warburg comes from a working-class American background, and earned his law degree at Yale, after undergraduate studies elsewhere on a sports scholarship.  He is a non-practicing, secular Jew at the beginning of the book.  We meet David when he is offered the Rome posting.  David is obsessed with a desire to leave his war-funding, bill-drafting work in Washington, D.C., and to contribute to stopping the massacre of helpless Europeans, the majority of whom were Jewish.

When we first meet Marguerite d'Erasmo, the half Franch, half Italian, Red Cross administrator in Rome, Italy, she is living under the Nazi German occupation of The Eternal City, and struggling to help some of the refugee Jews escape capture.  Marguerite is as battered as Rome, but:
...she had discovered within herself the unlikely gift for functioning with equilibrium and efficiency inside a full-blown, unending nightmare. 

 
 

We meet a middle-aged Jewish-Italian resistance man who helped hide Jews in Rome, many in the catacombs under the Ancient Roman Appian Way, others in crypts, attics, cellars and Vatican properties spotted around the ancient city.  He has a lovely inter-faith bantering exchange in the book with an old French priest, who is another substantial character in Warburg in Rome.

We meet a Catholic Monsignor from New York, Father Kevin Deane, who is to help manage the Catholic Relief Services efforts from the Vatican, and to perform other more secret assignments.  He initially has the role in the book of defending the Church and the Pope's wartime behavior, and enacting the Church's actions after the war, despite his growing ill-ease at the ugly truths he discovers for himself in Rome.

Deane's dealings within the Vatican show us exactly what the Vatican is:  the headquarters for a centuries-old multinational corporation.  Like all head offices, ambition and secret-dealing to obtain or maintain power is rampant, and seemingly noble long-term goals are used to justify despicable short-term actions.


 
 
Visitors are Shown the Tombs in the Crypt of San Callisto Church Near the Via Appia, refuge of Christians, and during WWII to Jewish refugees


The others in the long cast of characters are mostly unsavory, to say the least.  If you were not negative about the mass of humanity on the planet before reading Warburg in Rome, you will be after having read it.  "Good" really is vastly outgunned by "Evil", but not all evil is banal; it is also stomach-churningly vile, which the author does not shy from depicting.

There are images in the book of horrible atrocities perpetrated by sadistic humans on defenseless humans, the sadists spurred on by that horrible aspect of human-nature:  blood-lust, and the sickening euphoria and violent sexual lust that blood-lust provokes. 


 
 

Allied Air Raid of Rome during WWII


One theme in Warburg in Rome is the potential for sadism, in varying degrees, that exists in all of us.  It can be provoked and cultivated by others and by ourselves.  The more one is brutalized, the more one brutalizes others, the more one witnesses brutality, fictional or real, the more any natural or learned compassion is destroyed.  It takes constant vigilance for witnesses and victims of brutality to keep from becoming brutes.  All the characters in Warburg in Rome are affected by the brutality of WWII.

The efforts of the War Refugee  Board may have been "too little, too late", in the words of the Board's real director, but the act of forming the Board and the work its members performed, had real meaning.  In the words of one of the book's characters:
...the meaning of such an act for the thousands whose faith in humanity had been shattered would be impossible to calculate.


Red Cross Nurses treat a patient in Rome during WWII


Part Two of Warburg in Rome deals with the period after the Unconditional Surrender of Nazi Germany.  Warburg remains in Rome, despite the War Refugee Board being shut down.  He works to help Jews find refuge away from the societies that had turned on them, away from the camps where they had been sent to die.

While advertised as a "thriller", the book does not move quickly enough, for me, to be really thrilling.  The historical subjects are all in the history books, especially the more recent history books, so the outcomes are not in question, making the story intrinsically un-thrilling. 

Warburg in Rome is a historical novel; there is no doubt about that.  The history is richly detailed and broadly researched, letting us inside the U.S. government, the various militaries, the Vatican, the various resistance movements, and the multiple relief efforts.


 
 
Scene from the Battle of Monte Cassino, 1944


The characters are interesting but I never connected with them, probably because my life is so different from their lives.  I could admire them and despise them, but caring for any one of them was difficult.  Most of the characters are so damaged that they barely care for themselves.

I found myself admiring those few characters who had been battered into pulp by their war experiences, but who still found the ability, or gift, to care enough to try to end the suffering of others.  The author makes it very clear that those persons' helping of others provides the only salve that can begin the healing of the wounds their souls have suffered.  But even some of those characters' compassion succumbs under the relentless evil to which they are subjected or to which they see others subjected.




One interesting aspect in the book is the author's portrayal of U.S. Catholic soldiers being stationed in Rome.  Each soldier would eventually make the pilgrimage to St. Peter's Church, at the Vatican.
There on the mammoth threshold of the largest church in the world, each one waited for his pupils to dilate, for his heart to slow down.  Jesus, Mary, and Joseph!  More than twice the size of St. Patrick's Cathedral in New York!

... Back home, this Catholic kid was accustomed to a Protestant culture's condescension, but here he could see for himself the world-historic glories of Catholicism...
The priest in Warburg in Rome discovers what history came to see later:
...the Church's deadly entanglement in the nihilism that had swamped Europe--nihilism the war's true victor.




One of the good men in Warburg in Rome is someone who history has found to be truly good, Angelo Giuseppe Roncalli, an Archbishop during WWII, and later Pope John XIII.  Many years after WWII, Roncalli said about that nihilism, and Catholic anti-Semitism, and WWII: 
We are conscious today that many, many centuries of blindness have cloaked our eyes so that we can no longer see the beauty of Thy chosen people nor recognize in their faces the features of our privileged brethren.  We realize that the mark of Cain stands upon our foreheads.
Across the centuries our brother Abel has lain in blood which we drew, or shed tears we caused by forgetting Thy love.  Forgive us for the curse we falsely attached to their name as Jews.  Forgive us for crucifying Thee a second time in their flesh.  For we know what we did. 
Roncalli also instigated the Second Vatican Council and instructed the Council to reshape the face of Catholicism, including a revised liturgy that removed any negative references to Jews.  (Source)





From the book's description, which like all book descriptions these days, tells us too much of the plot:
From the author of the New York Times best-selling Constantine's Sword, a novel set in post-World War II Rome, where the fate of recently liberated Jews and the Church's dark wartime secrets intertwine

David Warburg, newly minted director of the U.S. War Refugee Board, arrives in Rome at war's end, determined to bring aid to the destitute European Jews streaming into the city.  Marguerite d'Erasmo, a French-Italian Red Cross worker with a shadowed past, is initially Warburg's guide to a complicated Rome; while a charismatic young American Catholic priest, Monsignor Kevin Deane, seems equally committed to aiding Italian Jews.

But the city is a labyrinth of desperate fugitives, runaway Nazis, Jewish resisters, and criminal Church figures.  Marguerite, caught between justice and revenge, is forced to play a double game.  At the center of the maze, Warburg discovers one of history's great scandals-the Vatican ratline, a clandestine escape route maintained by Church officials and providing scores of Nazi war criminals with secret passage to Argentina.

Warburg's disillusionment is complete when, turning to American intelligence officials, he learns that the dark secret is not so secret, and that even those he trusts may betray him.
James Carroll delivers an authoritative, stirring novel that reckons powerfully with the postwar complexities of good and evil in the Eternal City.


Warburg in Rome is published by Houghton Mifflin Harcourt, which publishes "renowned and awarded novels, nonfiction, children's books and reference works for readers throughout the world".





Warburg in Rome is available in hardback.  Here is a direct link to the book at Amazon.com:






The author has many other books to his name, one having to do with similar themes:  Constantine's Sword:  The Church and the Jews.  Here are direct links to some of the author's books at Amazon.com:







Visit the author's website Author Website.

To help with research before reading the book, here are links to some articles about the War Refugee Board.

The U.S. Holocaust Memorial Museum:  Article 1, Article 2.

Wikipedia's article:




Here is an interview with the author, James Carroll, discussing his faith that survives despite organized religion's failings:





This review is by Candida Martinelli, of Candida Martinelli's Italophile Site, and the author of the cozy-murder-mystery novel AN EXTRA VIRGIN PRESSING MURDER, and the young-adult/adult mystery novel series THE VIOLET STRANGE MYSTERIES the first book of which is VIOLET'S PROBLEM.




Monday, May 26, 2014

Murder, Mi Amore by Cara Marsi




Murder, Mi Amore, a romantic suspense novel, begins with the protagonist, Lexie, an Italian-American woman, who is shopping in Rome, Italy.  We learn that Lexie:
...wasn't ordinary any more.  Not since she'd come to Rome.  And now she had a new handbag to go with her new attitude.  In the past two weeks, the cautious and always-do-what's-right-eager-to-please-everyone Lexie Cortese had become a confident, take-charge woman.  For all of her twenty-eight years she'd done what others wanted--her parents, her teachers, that louse Jerry.  But no more.



Lexie makes her wishes here, and meets her mystery-man here


In the first few pages, the new Lexie meets a "Mr. GQ Cover Model" with oodles of charm and an Italian accent that works like foreplay.  This modern romantic-suspense novel, which I received as a review-copy, features the obligatory two hot twenty-somethings.  It sets off on a quick start and then religiously follows the requirements of the genre. 

We get the mysterious/suspicious first meeting, the instant physical attraction, the electrifying first touch.  We even have the wounded woman seeking recovery in Italy, and the jaded man who's been betrayed by a woman he loved.  And the man is the invented, yet ubiquitous, Interpol Agent; Interpol has no agents, only liaison officers who work in offices.


 
 

The couple have an intimate moment in Rome's Pantheon


With all the usual pieces in place, the book progresses into the plot-line, which is not exactly original, but it is well developed.  Through the adventures, Lexie, of course, very quickly wonders if her Mr. GQ's "promise in his eyes would materialize into soul-shattering sex".

Lexie is rather shallow, she laments ditching her previous boyfriend because he later became a doctor, missing her chance to be a doctor's wife, but her experiences in Italy might give her some needed depth.  Lexie is also a late-bloomer, making decisions about her future and her love-life for the first time only at the age of twenty-eight.  Lexie is also happy to be protected by a big, strong man, who is destined to be her second and last lover in her life.



Lexie goes with her mystery-man on a tour of Abruzzo, the region her grandparents came from in Italy, to their hometown of Ripa Teatina. 



Here is a two-minute video-postcard of Abruzzo:





You'll find lots of "heat" and "electricity" traveling around Lexie's body when she is near her Mr. GQ, lots of sizzling attraction, lots of imaginings of her sex-filled secure life with him, lots of trembling.  And there is one detailed sex-scene, with protected sex which is wonderfully responsible.  Mr. GQ's "potent masculinity" is often on display, not just in the bedroom.

Here is the book's trailer featuring some VERY attractive people:




The book is written in simple English in a third-person limited narration that switches between the two main characters' perspectives, for the most part.  The book is well-edited.  There is what looks like an odd error in the Italian in the book, Madone for Madonna, but the author says it is an attempt to write a dialect version of the word.  The title, Murder, Mi Amore, is a mash-up of English, Spanish and Italian, but artistic license can excuse many things ;-) .  The book is a solid entry in the genre romantic-suspense-novel-set-in-Italy, with a strong sense of Italy throughout for a vicarious pleasure, and sizzling romance for the fun of it!




The couple have more than one run-in with the ubiquitous scooter in Rome


From the book's description (only read the first paragraph to avoid spoilers):
Murder, jewel thieves and terrorists intrude on an American woman's Roman holiday; can she trust the sexy, mysterious Italian man who comes to her aid?

2012 EPPIE Finalist for Best Romantic Suspense.
2012 Finalist in the Oklahoma Romance Writers First Annual International Digital Awards

Lexie Cortese is in Rome to forget. The last thing she expects is to meet a sexy Interpol agent who suspects her of being part of a terrorist plot involving a stolen diamond. Suddenly thrust into a world of murders, muggings, and kidnappings, Lexie doesn’t know what to think—or who to believe.

Dominic Brioni’s assignment is simple. Befriend the American and bring her to justice. Only Lexie seems the most unlikely terrorist Dominic has ever met. Sweet, determined, and direct, she faces life with courage and fire, a fire that sparks his protective instincts and a longing for something more—something he allowed himself to hope for only once before.

But that woman betrayed him, and his boss isn’t about to let him forget it. With his career on the line and Lexie in danger, will Dominic learn to trust his heart before they both get killed?



Lexie does her best to look the part of the fashionable woman in Rome, designer handbag and all, with dangerous consequences


The book is available via Smashwords, an on-line e-book seller, that sells each book in various e-book formats:



The book is also available via Amazon.com as either a Kindle e-book or a paperback edition.  Here are the direct links to Murder, Mi Amore:





Cara Marsi is the author of several romantic-suspense novels, and other genre novels.  Many of her protagonists are hyphenated Italians, celebrating her own hyphenated Italian heritage.  Here are direct links to several of them at Amazon.com:








Here is a book trailer for one of Cara Marsi's Redemption Series books:







Gelato, something that is on Lexie's mind almost as much as Mr. GQ!  And I can't blame her ;-)



This review is by Candida Martinelli, of Candida Martinelli's Italophile Site, and the author of the cozy-murder-mystery novel AN EXTRA VIRGIN PRESSING MURDER, and the young-adult/adult mystery novel series THE VIOLET STRANGE MYSTERIES the first book of which is VIOLET'S PROBLEM.

Thursday, May 15, 2014

Death of a Showgirl by Tobias Jones




The subtitle of Death of a Showgirl is What is the price of fame?  The quest for "showgirl" or vedetta celebrity by young women in Italy is the subject of this hard-boiled, private-investigator novel.  A "showgirl" in sexist Italy is nothing more than skimpily-clad eye-candy on the TV screen, while the sleazy male hosts of the TV shows do all the talking, gawking and groping.

The author of Death of a Showgirl is familiar with Italy's criminal underbelly, having researched and written Italy-set true crime novels.  His P.I. novels mine the same ground.  Death of a Showgirl is clearly inspired by the former Italian Prime Minister Silvio Belusconi's salacious, sexist and stupid misadventures and crimes during his climb from property developer to TV producer, TV mogul, media mogul, on to political party leader and prime-minister. 




A classic hard-boiled P.I. story, Humphrey Bogart as Philip Marlowe, a creation of Raymond Chandler


The protagonist of Death of a Showgirl and The Castagnetti Series, of which Death of a Showgirl is book number three, is called "Casta" for short.  Casta sees people for who they are, with all their foibles, flaws and sins exposed to Casta's sharp eyes, but his ingrained compassion is only shared with a few of the people he encounters.  As is usual for a hard-boiled P.I. novel, Casta is our first-person narrator, telling us the story of his latest case, with snappy, sarcastic humor, and punchy descriptions. 

Here is Casta arriving at the house of his newest client:
"What's taken you so long?" he scowled.

"I had to do my makeup."

He looked at my unshaven face without smiling.
Like the Los Angeles based P.I. of yore, Casta moves among the creeps who populate the under-belly of society, while working for the well-off, who live behind walls and titles and big bank accounts.  Casta also deals with those in the middle of society, often good-hearted people who have been ground down by society or evil people.



James Garner as Marlowe

Death of a Showgirl is set in and around Rome, Italy.  Casta bemoans the "crowded chaos of the capital".  As he says:
The noise of horns and radios and shouted insults was part of the soundtrack of the capital...  
Here is Casta reflecting while driving along an old Roman road:
There were sheep huddling in the shade of ancient Roman walls, weeds growing out of long-lost settlements.  Rome always felt this way to me:  a place where the grandeur of an empire had slipped away centuries ago, but one that still retained hints of that lost magnificence.  ...it was a constant reminder of past glories and present inadequacies.
Never been to Rome?  Here is a two-minute video postcard to give you an idea of the book's setting:





Actually, the vices of modern-day Romans would not have scandalized the Ancient Romans.  They may have actually inspired some modern Romans in their disgusting, misogynistic and criminal endeavors, especially the ones involved in the modern-day version of the Roman Circus, television.

The television entertainment industry in Italy is tightly linked to Italian politicians:  the directors of the three national television channels, RAI1, RAI2, RAI3, are appointed by the three top political parties after each national election.

Media-mogul-turned-politician-turned-national-embarrassment Silvio Berlusconi used his media empire to launch himself into politics and to keep himself there.  And Berlusconi hand-picked TV showgirls from his TV stations for seats in Parliament, in exchange for who-knows-what.


 
 

Paul Newman as Ross Macdonald's hard-boiled P.I. Harper in The Drowning Pool


It is no big secret that sexual favors are demanded of young women seeking employment as on-air talent, and yet every year there are thousands upon thousands of young women who offer themselves into that prostitution.  So more beautiful young women could be exploited for longer, the Miss Italia competition was actually shaped into a year-long television program, with the young women performing demeaning stunts in demeaning outfits each week.  

The author says about these young women:
They didn't seem to realize they were no more than steaks served up to portly politicians who controlled the personnel departments of the TV stations.  They thought they were entering the world of glamour but were actually descending the steps of degradation.


The iconic P.I. look that fits rough Casta


The author's Berlusconi-inspired character in Death of a Showgirl, a "stocky man in a double-breasted suit", is wonderfully drawn.  His probable reaction to dirt from his past coming out is pure "Berlusconi":
My guess is that he'll laugh it off.  He might not even understand what he's done wrong, what he's been accused of.  And if he does, he'll simply offer the man a large sum of money and be done with it.
The macho creepiness of Italy's male elite is superbly drawn by the author, showing the easy excuses they make for their self-indulgent infidelities, and the sense of belonging to a virtual, cool, all-male club with sexual privileges.  Anyone who criticizes them is just "not cool".

Here is the media-mogul-turned-politician talking about his critics:
They put my success down to dishonesty because it makes their failure easier to live with.  It happens all the time.  It reassures them that their jinxed lives are down to their saintly morality, rather than their dull, boring, predictable, bourgeois provincialism.




Death of a Showgirl follows the hard-boiled P.I. genre:  the private-dick gets a case, he follows leads, he interviews a mixed bunch of characters, he discovers facts and links between the players, he gets roughed up now and then, he uncovers the dirt and solves the case but not always to his clients' satisfaction but always to his own satisfaction.

What drives Casta?  He says he is driven by a need to reunite families.  He lost his parents when he was a pre-teen.
...I had seen too many children lose their families and vice versa.  And since I'd never had a family, I was on a mission to put others back together.  ...

This job was my way of putting the pieces back together, of trying to reunite families before it was too late.

 
 

Humphrey Bogart as Dashiell Hammett's Sam Spade


The book was written in British English, but features an all-Italian cast of characters, and an Italian protagonist.  Some Italian words are included in the book, presumably to add to the fiction that the story is happening in Italy in Italian.  I found the Italian words distracting, partly because they were not italicized, as they should have been, and partly because they acted to draw me out of the story, to remind me that I was reading an "Italian" story in English.

An Italophile loves the history and rich culture of Italy, not the modern-day government that runs the country, or the weak economy and jobs market, or the lack of equality and respect for Italy's women.  If you can handle the truth, and you enjoy traditional hard-boiled P.I. novels, then you should enjoy Death of a Showgirl and the other books in The Castagnetti Series.


 
 


Books in The Castagnetti Series:
  1. The Salati Case
  2. White Death 
  3. Death of a Showgirl

Death of a Showgirl is published by Faber & Faber.
Faber and Faber remains one of the last of the great independent publishing houses in London.  With the great depth of its backlist, featuring books by no fewer than twelve Nobel Laureates and six Booker Prize-winners, a thriving frontlist and ever-growing e-book list...
Faber and Faber remains one of the last of the great independent publishing houses in London. With the great depth of its backlist, featuring books by no fewer than twelve Nobel Laureates and six Booker Prize-winners, a thriving frontlist and ever-growing e-book list, - See more at: http://www.faber.co.uk/about/#sthash.Ce2C98ON.dpuf
Faber and Faber remains one of the last of the great independent publishing houses in London. With the great depth of its backlist, featuring books by no fewer than twelve Nobel Laureates and six Booker Prize-winners, a thriving frontlist and ever-growing e-book list, - See more at: http://www.faber.co.uk/about/#sthash.Ce2C98ON.dpuf




Death of a Showgirl is available from Amazon.com in various formats.  Here are direct links to them:





Here are direct links to the Tobias Jones books at Amazon.com, fiction and non-fiction:




Please visit the author's website.


This review is by Candida Martinelli, of Candida Martinelli's Italophile Site, and the author of the cozy-murder-mystery novel AN EXTRA VIRGIN PRESSING MURDER, and the young-adult/adult mystery novel series THE VIOLET STRANGE MYSTERIES the first book of which is VIOLET'S PROBLEM.



Tuesday, April 22, 2014

All He Saw Was the Girl by Peter Leonard



 
All He Saw Was the Girl is a deft crime thriller adventure story.  The fast-moving story is matched perfectly by the quickly-paced prose.  Deftly-drawn character sketches; exotic U.S. and foreign locales; hot, trashy women; hot tough guys and gangsters; action scenes galore; a twenty-something male protagonist who surprises people at every turn:  All He Saw Was the Girl is a book begging to be adapted to film.

The story is set partially in Detroit, Michigan, but mainly it is set in and around Rome, Italy.  The sense of place in All He Saw Was the Girl is very strong.  One could follow in the characters' footsteps if that is what one wanted to do.  All the top attractions in Rome get a mention, as well as Orvieto and Viterbo. 


 

Trastevere in Rome is the setting for many scenes in the book.


The title of the book comes from a line in the story, in a cheeky plug by the author for his book's suitability for adaptation:
And although cars and motorcycles zipped around, all he saw was the girl coming toward him like a scene in a movie.
In the first few pages of All He Saw Was the Girl, the protagonist, William McCabe, has encounters with Italian police in the shape of the uniformed Carabinieri and a police Commissario.  The first chapter is full of confidently written action scenes, with a keen eye for the visual story.  It has a hard-boiled delivery that makes this book's style punchy, as punchy as the protagonist gets more than once in the book, in both senses of the word.




The narration is third-person limited, that switches from one character's perspective to another swiftly, as swiftly as needed by the fast-moving storyline.  I only noticed a few errors and typos.  The e-book edition has some missing line breaks that have the effect of running dialog from two characters together, causing some confusion.

Privilege and its accompany sense of entitlement is a running theme in the book.  Here is McCabe explaining to his rich-kid buddy why their misadventure with the police has made front page headlines:
"Any time a famous rich kid screws up, people want to know about it.  Makes them feel good.  Makes them think they're better than you."
On the flip-side of that theme are the children of overachievers who struggle to live up to their parents' expectations, or lack of expectations.





The author is a master of the dry-aside, and he is equally confident writing from the female and male perspectives.  Here is a woman's view of a hunky idiot giving her a clunky compliment:
He wasn't going to be mistaken for a poet laureate, but she appreciated what he was trying to say.
Here is a two minute video postcard of Rome that shows many of the famous sights mentioned in All He Saw Was the Girl:





From the book's description:
Rome:  McCabe and Chip, two American exchange students, are about to become embroiled with a violent street gang, a beautiful Italian girl and a flawed kidnapping plan.

Detroit:  Sharon Vanelli's affair with Joey Palermo, a Mafia enforcer, is about to be discovered by her husband, Ray, a secret service agent.

Brilliantly plotted and shot through with wry humour, All He Saw Was the Girl takes place as these two narratives converge in the backstreets of Italy's oldest city.

A thrilling ride, it once again displays Peter Leonard's genius for exploring the wrong turns that life can take.  Peter Leonard's growing fan base includes greats such as Carl Hiaasen ('great storytelling') and Michael Connelly ('clever plotting and blood and guts characters'), and publications as diverse as Uncut ('sensational'), the Daily Mirror ('stunning') and the Big Issue ('brilliantly snappy').

All He Saw Was the Girl is released by The Story Plant.
The Story Plant is dedicated to bringing you inspired, passionate, and immersive works of fiction from an extraordinary group of writers. We are true believers in the power of fiction to transport, illuminate, and entertain and we welcome you to be part of our Story.



All He Saw Was the Girl is available as a Kindle e-book, a paperback book, and an audio book.  Here are direct links to the editions at Amazon.com:





Here are direct links to all the author's books, all crime thrillers, at Amazon.com:





Visit the author's website.


This review is by Candida Martinelli, of Candida Martinelli's Italophile Site, and the author of the cozy-murder-mystery novel AN EXTRA VIRGIN PRESSING MURDER, and the young-adult/adult mystery novel series THE VIOLET STRANGE MYSTERIES the first book of which is VIOLET'S PROBLEM.