When you purchase the book
Tomorrow or Never, you get three
historical novels in one, which together make up the saga of five years in the
life of a young woman living in unusual times.
The 700+ pages are divided into three parts, three phases in the life of
the protagonist, Vitessa, an ambitious, clever young woman from the poorest
region of Italy, who comes to adulthood just as Mussolini comes to power in
Italy in the 1930s.
Mussolini leading his black-shirted thugs
Part One is set in Fasinella, a rural village in the
Basilicata (Lucania) region of southern Italy.
We meet Vitessa and her friends, family and fellow villagers. Mussolini's socialists are in power,
encouraging little-Mussolinis to dominate and exploit small communities all
over Italy. That happens in Fasinella,
too, which is home to several internal detainees, political prisoners, for
several years.
Fasinella is described as:
Encircled by the craggy hills and plummeting ravines
of the deep south of Italy, Fasinella was largely cut off from the wider world,
and there seemed no other future besides the withering cycle of poverty,
hardship and hunger that had endured for centuries. An ancestor from the 1530s would find little
different in the 1930s.
Matera, Basilicata
Part Two takes place in Rome, the busy political capital of
Italy.
Vitessa has escaped Fasinella and
is enjoying some freedom to learn and live and love without restrictions.
Mussolini's empire-building dreams, and
alliance with Fascist Germany and Spain intrude on Vitessa's life in unexpected
ways.
In one way the wars bring her more
freedom, and in another way they rob her of her first love.
The title of the book, Tomorrow or Never, comes from the
southern dialect word for "tomorrow":
crai. The word, in popular usage,
has come to mean two things: "the
next day" and "never". It
is a bit like the Italian word for "tomorrow", "domani", and
like the Spanish word "manana".
When the word is repeated a few times in sequence, it signifies
something that will probably never come to pass: domani, domani, domani, or manana, manana,
manana.
A young woman at a desk in Rome, Italy, in the 1930s
Part Three of the saga is set in the business capital of
Italy, Milan.
Vitessa continues to forge
an independent life for herself, and to learn and to grow.
Mussolini's plans for Italy create havoc for
the country's businesses, who are torn between doing business with the
country's allies and the country's potential future enemies.
Vitessa is torn between two loves and two
possible futures, too.
The author uses Vitessa's brother to show what it was like
to have a devoted follower of Mussolini in one's household.
As the oldest male member of the family, he
holds sway over the women in the household much the way ancient Roman heads of
family held sway even in questions of life and death over people in his
home.
This is no coincidence.
Mussolini looked to Augustus, the first Roman
Emperor, for inspiration:
the monumental
building programs, the wars of expansion, the laws, the police....
Mussolini's stadium, built along ancient Roman lines
I accepted a review copy of this book because it was set in
a controversial era in Italy's history.
Just like the other European countries, Italy has information and
misinformation circulating about the Mussolini era, because many former
supporters of the dictator have difficulty accepting any criticisms of their
hero.
The truth is that Mussolini was a militant socialist (a
Fascist), an egomaniacal sociopath, a dictator, a leader who authorized
mass-murder of unarmed peasants in Ethiopia and Somalia in order to steal land
and resources, an oppressor of women and children and Jews, and the instigator
of the torture and murder of Italians by his secret police and his
black-shirted thugs.
Unlike Mussolini's
supporters, I do not believe that economic growth can excuse any of these
things.
The Italy of Mussolini
The author presents the politics for what it is, repressive
and war-mongering, and concentrates most of the story on Vitessa's life.
The three parts of the book read like a TV
mini-series.
The five most formative
years in Vitessa's life are described, against the colorful and dangerous
backdrop.
There is a large cast of
characters whom we follow through the years.
Fact and fiction combine in this novel to entertaining effect.
The third-person narration allows us inside the minds of
many of the characters. The author
teases us at times with forebodings and hints of things to come. The writing is polished and at times
prosaic. The story moves along at a
quick pace, but not so quick that we lose the sense of place and time.
The story is all Vitessa's, a young woman who shines with
intelligence, drive, a thirst for knowledge, goodness and a wicked sense of
humor.
A series of mentors take Vitessa
under their wing to teach and guide her way to success.
Misogynistic repression is not the only sort
of repression Vitessa must face.
The
bigotries in Italy against those from the south of the country,
meridionali, are just as strong, and
just as limiting.
A trade show display in Milan, Italy, in the 1930s
We get inside the mind of Italy's many exiles, those exiled
for political reasons, and those exiled for economic reasons:
I am glad I will be leaving Italy. It costs too much to lover her.
Sadly, what was true during Mussolini's repression is also
true for many of the emigrants from Italy today, due to economic and political
stagnation, as well as corruption and continuing bigotries.
The author provides a wonderful list of books for further
reading, and some Book Group discussion points, as well. My only reservation is the ending, which I do
not feel wraps up all the story lines I wanted to see wrapped up. Perhaps the author wishes to leave things up
to our imagining? Or perhaps there is
another book on the way about the later life of Vitessa?
If you are interested in this era in Italy's history, and
would like to follow the life of an ambitious, intelligent young woman through
a mini-series of events, I highly recommend Tomorrow or Never.
Italian Fascist propaganda poster advocating the fire bombing of London during WWII
From the book's description:
1930s Fascist Italy was a particularly oppressive society
for women. Vitessa, a young woman from
the poverty-stricken south with ideas ahead of her time, refuses to let the
triple evils of tradition, prejudice and Fascism crush her dream of a better
life.
Will the chance arrival of a political exile from the affluent north help to
change her destiny? Will a desperate
deception be a help or a hindrance to her plans? Will the struggle to find her own way in life
be made even more difficult as Mussolini leads the country towards war?
Fascist Italian Girls' Choir, singing, something 1930s Italian woman were allowed to do besides having babies
Here is a direct link to the book at Amazon.com
Please visit the
author's website.
Here is 3 minutes of Lucania/Basilicata with many images from the era described in this book, accompanied by the classic emigrant's song by Domenico Modugno: Amara Terra Mia (My Bitter Homeland).
This review is by Candida Martinelli, of
Candida Martinelli's Italophile Site, and the author of the cozy-murder-mystery novel
AN EXTRA VIRGIN PRESSING MURDER, and the young-adult/adult mystery novel series
THE VIOLET STRANGE MYSTERIES the first book of which is
VIOLET'S PROBLEM.
